La Pieuvre


La Pieuvre was formed in 1999 by an initially informal group of musicians who wanted to try out a new pattern of collective work. It draws its members from a varied musical scene and has brought together players from numerous smaller groups working at the freer end of jazz and rock as well as in electronic and instrumental contemporary music.

This extended unit has its place in the field of European large-group improvisation, but should also be seen in the context of the ‘conduction’ movement, exemplified by the methods of such as Butch Morris – although there is no claim made here for him either as a frame of reference or a point of departure. The music unfolds moment by moment, shaped on the instant by the gestures addressed to the living organism in front of him by Olivier Benoit (in his other role than as guitarist). Signs, looks, gestures and mime, the whole range of body-language is called upon in this exchange. The desire for interaction – implying precision and looseness, interpretation and distortion, the two-way flow of information, in which individual autonomy goes hand in hand with a sense of collective responsibility – makes available a sound-world of great richness, and makes of this singular ensemble perhaps more a platform for research into conducted improvisation than a performing orchestra.

The conductor’s vocabulary of signs, in continual process of development, is worked out and assimilated as the need arises, ever more finely tuned to meet the demands of the conductor: texture, timbre, duration, motif, sweep, rhythmic cycles and loops, antiphonal and stereophonic interplay (facilitated by the layout of the orchestra and the doubling of certain instruments) are mobilized into spontaneous through-composition. The energy at its source is drawn out and woven into a unique music, flowing and unobstructed.

Over the last few years La Pieuvre has explored many avenues of research. The practical results display the resolutely musical thought which has always been its guide. With this in mind, the recordings put together here act as a showcase for this contemporary orchestra’s commitment to its longterm venture. Whether in the studio or the open air, the concert hall or the radio broadcast, accompanying dance or silent film, its work remains inseparable from the very fabric of sound.

Olivier Benoit (conduction), Sakina Abdou (saxophone), David Bausseron (guitar), Samuel Carpentier (trombon), Nicolas Chachignot (drums), Claude Colpaert (trombone), Pierre Cretel (double bass), Ivann Cruz (guitar), Barbara Dang keyboards), Vincent Debaets (alto and baritone saxophone), Martin Granger (synthesizer), Lune Grazilly (voice), Patrick Guionnet (voice), Martin Hackett (flute and melodica), Philippe Lenglet (guitar), Stéphane Lévêque (bass), Yanik Miossec (clarinet), Maxime Morel (tuba), Christophe "Pher" Motury (trumpet, bugle), Peter Orins (drums), Christian Pruvost (trumpet), Antoine Rousseau (bass), Jean-Baptiste Rubin (saxophone)

La Pieuvre works on several pieces :

- "Prosopôn"

- "Ellipse"


- "Feldspath" (avec Circum Grand Orchestra)

- "Démocratie"


- "Follis"



- et le ciné-concert "La Pieuvre - Germinal"


To know more about La Pieuvre, please upload the document on the right.

La Pieuvre - Ellipse (partie 3)

La Pieuvre - Ellipse (partie 2)

La Pieuvre - Split

La Pieuvre - Ether

JPEG - 186.7 kb
La Pieuvre - Ellipse
JPEG - 56.3 kb
La Pieuvre - Follis
JPEG - 43.9 kb
La Pieuvre - Démocratie
JPEG - 84 kb
1999-2005 - 1er album
JPEG - 155 kb
Ellipse - 2nd album
PDF - 369.1 kb
Dossier de présentation - la Pieuvre

Muzzix is a collective composed of 30 musicians and based in Lille (northern France). Its musical universe goes from contemporary jazz to experimental and improvised music, performed in many various ways, from solo to full orchestras, from concerts to installations or performances.
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Association Muzzix
51 rue Marcel Hénaux
59000 Lille
Tel : 33 (0)9 50 91 01 72

Siret 488 261 355 00017
APE 9001Z
Licences n°2-1062227
et 3-1062228

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